Around the world and back on Zoom

My Zoom workspace

A year ago, in the waves of pandemic panic, I also felt curious. I’d been half-heartedly playing with online storytelling. “What if COVID-19 is my virtual storytelling bootcamp?” I wondered. On March 16, 2020, I began offering Zoom storytimes every weekday. Now a year later, I’m still doing it.

From my laptop in Lawrence, Kansas, I’ve reached listeners and workshop participants in Belgium, Bulgaria, Greece, Israel, India, Cambodia, Thailand, Malaysia, Singapore, Japan, Australia, New Zealand, Argentina, Peru, Chile, Colombia, all over the US, and probably other places.

Here are a few of the questions I get asked about doing this:

Don’t you miss live performance? Yes, I do, but there is still connection with the listeners online, and sometimes an even more intimate feel to the performances.

Does it work? Surprisingly well. I was worried that it would be passive, too much like TV, but I’ve found ways to engage even young listeners. I speak directly to them, and ask them to join in on songs, chants, hand motions and other silliness, just as I do in live performance.

Don’t kids interrupt? No. Early on I learned to put everybody on mute without the possibility of unmuting unless I let them. This cuts down on the frantic arm waving followed by “My…my…my grandmother…has a cat.” In my every-weekday storytimes, kids get on at 1:45 for the 2 p.m. (CST) show. They can talk as much as they want then, and at 2 p.m. I say, “What time is it?” They say, “Mute time!”

Isn’t it distracting when kids are doing other things? I’m used to it. During Zoom sessions, I’ve had kids eating, jumping on trampolines, reading books, playing, drawing, painting, wrestling, picking their noses and more. They’re also listening. I know this, because they join in when I ask them to. Also, they come back. I have the same children every day, one of whom (hi, Gianna!) has missed only one day since she began last March.

Can you make a living at this? So far, I’m fine. Some of the storytime listeners tip me. Though I make a little plea for tips at the end of storytime, I don’t expect them—and I’m always appreciative. Schools, libraries, festivals and other organizations hire me (and they don’t have to pay mileage or lodging). I set up workshops and performances on Eventbrite, such as the Russian tales for grownups I did in February and the story games workshop I’ll be offering again in March and April. I set these up so folks in various time zones can attend. I’m also doing a once-monthly storytime for kids in distant-from-me-timezones.

The pandemic also pushed me to start a subscription service to bedtime stories for kids. For as little as $5/month, listeners have access to more than 50 audio stories (no screens at night, please) with a gentle talk-down at the end. I upload a new story every week.

Do you prerecord stories? No. While I know many storytellers do, I don’t plan to offer this at this point. On my website and YouTube channel, I do have lots of stories available to listen to and watch..

When the pandemic is over, will you keep doing online storytelling? Yes. As a self-supporting artist, I know the value of having many ways to make my living. This past year has reminded me to stay nimble, stay lively. I might taper off the every-weekday storytelling at some point. For now, I’ll keep going. Feel free to stop by the weekday storytimes. It’s not just for kids.

I also appreciate referrals, so if you know of a school or library or other organization that would like to have a storyteller on Zoom, I’d love it if you pass my name along.

Let me know if you have other questions!

Story games, songs, stretches and silliness

So there you are, with five minutes to spend and a few (or a lot) of antsy kids to spend them with. What do you do? Try a game, a song, a stretch or some kind of silliness. I’ve been collecting these gems for longer than I have been a storyteller.

One story game is the circular story A dark and stormy night. Here’s the version I grew up with:

It was a dark and stormy night.

A band of robbers was sitting around the campfire.

At length, one got up and said, “Chief, tell us a story.”

Chief got up, lit his pipe, and began,

“It was a dark and stormy night…”

We would tell this story in every way we could think of: angry, silly, like a baby, like a cow, like a chicken, in a French accent, like a chicken with a French accent, and so forth. Eventually all the grownups would leave the room. We still do it; now the in-laws leave.

Another game we played was called “Mailbag”. One person would start a story, and after a few sentences (or sometimes, maddeningly, much more), he or she would say, “mailbag!” as the cue for the next person to take over. The cue word could be anything—in the way of children, we never questioned why that was the one we used. Now sometimes I teach an expanded version of the game I call “Magic Box”, which includes trinkets as prompts.

Magic Box is a fun pass-around story game, with endless variations

I’m still adding to my repertoire of these fillers, some of which teach story structure along the way. I search scout websites, old books of children’s songs, and friends’ memories. I’ve just added the melodramatic song Señor Don Gato to my weekday storytimes, to good effect.

I also love teaching story games, songs and stretches. I’ve set up a couple of Zoom workshops in December, if you’d like to learn some of my favorites. Feel free to bring some to share, too!

Hands on, hands in: using puppets with young children online workshops

I haven’t always loved puppets. In 1989, my new boss at the library asked me if I might want to try puppets. I was clear: “No. I don’t do puppets.”

She said, “Let me just give you the two-minute puppet lesson.”

What could I say? Judy was my new boss and I already had learned a ton from her in the few weeks since she began heading the department. She gave me the short puppet lesson and the rest, as they say, is history. I have been using puppets with young children ever since.

I’ve learned since then that not only do I love playing with puppets, I love teaching others how to use them. I still use Judy Stoughton’s two-minute lesson as my base (thanks, Judy!).

On September 2, I’m offering two Zoom workshops on using puppets, for teachers, librarians and storytellers. It’s for adults—my teaching style with kids is slightly different. The content will be the same for both workshops.

Here’s the scoop:

Hands on, hands in: using puppets with young children

In this participatory Zoom workshop, I’ll gently guide participants in basic puppet technique, character development, creating voices, puppet schtick and more. This workshop is especially aimed at teachers, librarians and storytellers who work with young children. The focus is on using puppets without a stage. BYOP!

Wednesday September 2, 2020

9:00-10:00 a.m. CDT

https://www.eventbrite.com/e/117556439475

or

6:30-7:30 p.m. CDT

https://www.eventbrite.com/e/117562423373

$22.50 per workshop

Content will be the same for both workshops.

Questions? Sling me an email

Storytelling live-ish

Imagine this: students in five schools in different parts of the world listening to one storyteller (me) in their own classrooms, and asking the storyteller questions via chat. I'm in my studio (otherwise known as my dining room). The stories are tailored to the audience. The schools pay a fraction of the price of a regular storytelling performance, with none of the travel fees. They can use smartboards, projectors or individual screens. The teacher clicks a link and they're in the session. 

Over the last ten months, I've been testing live online storytelling events using the Zoom platform. From the comfort of home, I tell stories to listeners wherever in the world they are. Here's my setup:

The first try was a short puppet workshop for a group of teachers in Brazil. The next was a presentation for a middle school in Texas, with a goal of bringing kids into an existing storytelling troupe. Then I told stories to two homeschooling families (full disclosure, they were already fans). Today I had two middle schools, one in Florida and one in Tennessee. The school in Tennessee had me in multiple classrooms at once. (Thanks to Mariana, Sue, Melanie, Kelly, Tom, Elizabeth and all the other teachers for being my testers.)

Here are a few things I've learned in the guinea pig sessions

• Make sure the cat is outside before beginning. He is charming, but a distraction.
• Mute the audience during the stories, or there will be a lot of extraneous noise (chairs scraping, the intercom, etc.)
• Use a wired connection, not wireless, for the strongest possible signal.
• Put a "Do Not Disturb" sign on the door.
• Don't use a lot of fast hand gestures. Movement on a screen can get blurred. 
• Dim the brightness of the laptop screen for less glare on eyeglasses.
• Plan for extra time for questions, since it requires using the chat window.

I still prefer telling stories in person, but this is a great way to get more stories and workshops out into the world.

I'm ready to go live, er, live-ish. Soon look for pricing on my website for full performances, workshops and "story snacks" (5-10 minute mini sessions).

Have questions? E-mail me or put a comment below.